Belonging is the enlightenment felt when adult male additions an consciousness of themselves. which may or may non include associations to others & A ; the wider universe. This penetration is found in the texts of ‘As You Like It’ by William Shakespeare. ‘The Last Samurai’ directed by Edward Zwick & A ; ‘The Past’ by Oodgeroo Noonuccal.
As You Like It ab initio accentuates familial & amp ; political trespass. unfairness. expatriate & A ; the hurting of being made to experience that no 1 longer belongs in either tribunal or household. The physical degree of ‘wrestling’ within the drama metaphorically acts as an unprompted degree of ‘grappling’ amongst civilization. This diminishes any sense of connexion amid urban society & A ; in consequence. the tribunal is seen as a universe of division. deficiency of credence & A ; where powerless people such as Orlando do non look to belong.
In the drama. belonging. nevertheless. develops from the interaction of the characters nature & amp ; raising. For Oliver & A ; Orlando these facets varied. Oliver is of baronial ‘birth’ . yet his pervert nature contrasts to that of Orlando’s. Despite this. Oliver accuses Orlando of being a scoundrel. whilst transporting merely hatred for him. bodying his psyche. “I hope I shall see an terminal of him. for my soul… hates nil more than he” . Henceforth an absence of filial connexion existed between the siblings.
However this inadequacy dwindles as the two venture through Arden. detecting diverse values. emotions & A ; basically a forced alteration of fostering. with Oliver in peculiar. He experiences brotherly love & amp ; forfeit. arousing an built-in benevolence. in the paradox. “Twas I. but ’tis non I: I do non dishonor to state you what I was. since my transition so sweetly tastes. being the thing I am. ” Oliver now ‘belongs’ in a affiliated household relationship. & A ; to a ‘self’ that he can now comprehend as being different from before.
Shakespeare uses Jacques to demo how the pretense of ‘not belonging’ . veneers a desire to happen belonging on another degree. “Out of these convertities there is much affair to be heard & amp ; learned. ” In driving a return to the tribunal. Jacques endorses a transcended signifier of belonging. a self-belonging of a philosophical. rational & A ; religious grade. Ironically. while insulating himself from adult male. it is through the company of assorted impermanent characters that Jacques cultivates his constructs about humanity.
From the film ‘The Last Samurai’ . the construct of belonging is centred on the thought of affinity & A ; assimilation. Remembering Algren’s initial brush with the Samurai. a reservoir of fright in the modernized Nipponese soldiers is present as they are overwhelmed by their masochistic nature. Zwick’s usage of fog concocts an ambiance of ambiguity & A ; evokes panic amongst the moderns. symbolic of their instability in contrast to the affinity of the Samurai. Obviously. Zwick shapes significance by contrasting two opposing societies & A ; values. leting the respondent to gain the importance of belonging.
Zwick’s effort to supply the respondent with an penetration into Algren’s outlook is achieved with flashbacks & A ; diary entries. The flashbacks are incubuss of Algren’s black yesteryear. which creates within him a resent & A ; ramp towards all things. the nucleus of his isolation. Likewise the diary entries are an extension on this device in which they keep the respondent informed on Algren’s current province.
Per Contra. a clear breakage of disparity emerges as he writes “It is here I’ve cognize my first untroubled sleep” therefore bit by bit absorbing with eastern civilization. The entries begin to stand for a deficiency of rebelliousness & A ; a turning wonder. the thought of credence being associated with understanding & A ; comfort finally grants Algren safety & A ; a sense of belonging.
The composer’s usage of symbolism contributes to the averment of achieving belonging. The rain is a repeating symbol which represents disclosure & A ; growing within Algren & A ; the fire signifies creative activity & A ; metempsychosis of a new refuge found with the Samurai. Colour itself is a symbol ; the dull darker colorss are largely associated with the westernised country. rendering a staccato aura. On the contrary. we are introduced to the bite of vivacious earthly colorss found at Samurai small town. bespeaking a sense of truth. a topographic point where Algren can develop a conceptual apprehension of himself & As ; others.
In ‘The Past’ . Noonuccal enunciates her sense of belonging to Aboriginal civilization with the direct apposition of the past & A ; present ; White & A ; Aboriginal ethnology. The importance & A ; connexion to the land for Aboriginal Australians is accentuated through metaphoric antiquity. “But a 1000 cantonment fires in the forest…Are in my blood” .
The countless campfires insinuates the important length of Aboriginal history in antithesis with late European colony & A ; comfy white civilization. “In easy chair before electric radiator” . Noonuccal differentiates past & A ; present to show how an individual’s unsolved individuality can act upon their belonging in the present. Noonuccal fails to happen association with present. white ethnics due to her inability to associate & amp ; attain solidarity.
As an Aboriginal Australian. Noonuccal’s belonging prevarications within her Aboriginal individuality & A ; her strong mutualness with nature. the land. her ascendants & A ; the yesteryear. Her steadfast belief in animism expresses the chumminess she portions with her environment. Personification is employed to pass on the thought of animism. as seen in the 3rd stanza. “The tall environing trees that stir in the air current. ” Noonuccal achieves a province of harmoniousness through an intimate confederation with the land that shapes their unity.
Ultimately. through the usage of assorted literary techniques & A ; treatment of the texts. it is outstanding that…