Change is a necessity of life. Everything in the universe has to undergo a alteration. Every human being in the universe has to alter himself or there are certain factors that change the individual. Change can come by the influence of a individual or by the influence of a thing. The two narratives “ The Handsomest Man in the World ” by Gabriel Garcia Marquez and “ The New Life ” by Orhan Pamuk has a alteration in their narrative as we arrive towards the terminal. In the narrative “ The Handsomest Man in the World ” Gabriel Garcia Marquez the dead adult male brings a alteration in their town. The town people are amazed to see his immense size. The people think that his size might hold been a job for him and that had lead him to the decease. Whereas in the other narrative “ The New Life ” by Orhan Pamuk the book changes the life of the individual. The more the individual reads the book the more he can see the alteration occurs in his life. The manner these alterations take topographic point is really interesting. The dead adult male in “ The Handsomest Man in the World ” and the book in “ The New Life ” are the accelerator in the two narratives. Both narratives result to a alteration by the clip they reach the terminal and a accelerator causes the alteration.
In the narrative “ The Handsomest Man in the World ” , a dead adult male arrives in their town through the sea. The kids foremost think that it is a giant or a ship, but as it comes closer they come to cognize that it is a dead adult male. The intelligence spreads in the town. The old lady claims that his name is Esteban. The adult females ‘s response to the dead adult male which they call Esteban is eroticized in the narrative. ( Brent, Liz ) . All the people in the town were amazed to see the immense size of Esteban. They tell that he is the most virile, fine-looking and the biggest adult male in the universe. All the ladies in their town look up to his beauty. They all think that his large size was the cause of his decease. All the people in the town alteration the visual aspect of their house. They painted the houses in bright colour and construct tall houses so as to give testimonial to Esteban. They do this so that people from far off could acknowledge that it was Estebans town. Esteban is represented as an ideal of flawlessness. The small town people think that Esteban had a perfect life. This motivated the small town people to alter their life. After Estebans funeral, all the small town work forces irrigated their land to bring forth flowers and changed the full visual aspect of the small town so that it could be identified as Estebans small town. These things show how the dead adult male can alter the whole town. The book “ The New Life ” by Orhan Pamuk starts with the sentence, “ I read a book one twenty-four hours and my whole life was changed ” . ( Pamuk ) This sentence itself tells us a batch about the narrative. It is a splanchnic experience: he feels his “ organic structure dissociating ” ; he admits that he feels “ its influence non merely on my psyche but on every facet of my individuality. ( Pamuk ) . The readers life has changed by reading a book. He is a pupil making technology. The book had the consequence non merely on his psyche but besides on his individuality. The book reflected a visible radiation on his face. The objects in the book were rather similar to the objects in his room. the more he read the book, the more consequence it had on him. The book told him about the things that he did non cognize about himself. He knew that he was making a phase from where he could non come back. He thinks that all his thoughts had been imagined by person and were put in the book. The more he read the book the more consequence it had on himself and on his psyche. The book was easy transforming his manner of thought and his thoughts. He thought that the book was taking him in another universe. He left the book and went down for supper. He could non respond to the world in his life. He was experiencing guilty that he reading that book had separated him from the existent universe. He went to watch Television for a piece so that it could deviate his head from that book. The book was moving as a accelerator. It had transformed him. He feels isolated and broken off. He feels like something has been taken off from him. On the contrary, he besides gained something from the book. When he was walking down the streets, everything was really similar to him. He came to the belief that he had ownership over his hereafter but the book was something that possessed him at the present. He felt liked the new life was glowing in him. He was happy every bit good as sad to go forth his old life. He so walked towards the shore. He was astonished to see that the sea was pitch-black. He had ne’er noticed that the Sea of Marmara was so dark. He compared his life to the Sea of Marmara. The sea looked dark, austere and cruel at dark. He felt like the objects around him spoke a linguistic communication which he was able to hear. For one time, he felt the weight of the soft rocking sea like the flash of his ain intractable decease that he had felt while reading the book.
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Both the narratives have a transmutation consequence. The people in “ the handsomest drowned adult male in the universe ” see a alteration in themselves. The people in the narrative “ The Handsomest Drowned Man in the World ” alteration themselves after the funeral of the dead adult male. The dead individual is a accelerator in this narrative. The small town people are really different in their ideas and the manner they do things. The people lack motive in their life. The town people live a glooming life. The dead adult male gives them a motive in life. The town people start idolizing the dead adult male. The drowned adult male motivates the town people to try for criterions higher than what they had antecedently tried. ( www.helium.com ) . In the other narrative “ The New Life ” by Orhan Pamuk, the book transforms the individual. “ The new life is a narrative about a immature adult male whose life has been transformed after reading the book. ” ( Rubin ) The individual sees a batch of alterations in himself as he reads the book more and more. The book gives him a transmutation consequence. the individual has the ownership over his hereafter. All the objects in the book are similar to that in his room. He finds this similarity really unusual. He thinks as if person has already written his ideas in the book.
Both the narratives have a accelerator. Both the narratives are based on an imaginativeness. The book transforms the reader in the narrative “ The New Life ” and the dead organic structure transforms the people of the town in the narrative “ The Handsomest Drowned Man in the World ” . The manner these things transform the people or the reader is quiet interesting. The reader in the new life thinks the book is based on his life and everything in the book has either happened with him or it is traveling to go on to him in the hereafter. Whereas in the other narrative, the dead adult male ‘s organic structure gives motive to the people in the town. They are fascinated by his immense size and everyone in the town starts speaking about him.
The two narratives, “ The New Life ” by Orhan Pamuk and “ The Handsomest Drowned Man in the World ” by Gabriel Garcia Marquez show us a manner alterations can take topographic point in the society. The reader in “ The new life ” , sees a alteration in his life after reading the book. The book had inauspicious consequence on him. It changed his psyche. In the other narrative, the people are fascinated to see the immense size of the dead individual. He was the most fine-looking, virile and the strongest individual in the universe. They change their house and convey a alteration in their town in order to give a testimonial to the dead adult male which they thought of being Esteban. Both narratives have a accelerator and the manner these accelerators take topographic point is rather different.
Rubin, Merle. “ Turkish Best-seller Offers Parable about Reading. ” Christian Science Monitor 89.103 ( 23 Apr. 1997 ) : 12. Rpt. in Contemporary Literary Criticism. Ed. Tom Burns and Jeffrey W. Hunter. Vol. 185. Detroit: Gale, 2004. Literature Resources from Gale. Web. 25 Nov. 2010.
Mani, B. Venkat. “ Turkish-German Reattachments: Orhan Pamuk ‘s The New Life. ” Cosmopolitical Claims: Turkish-German Literatures from Nadolny to Pamuk. Iowa City: University of Iowa Press, 2007. 146-182. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 288. Detroit: Gale, 2010. Literature Resources from Gale. Web. 25 Nov. 2010
Infotrac – Literature Resources from Gale – Critical Essay
Brent, Liz. “ Overview of ‘The Handsomest Drowned Man’. ” . Detroit: Gale Group, 2000. Literature Resources from Gale. Web. 5 Nov. 2010.