Reality The two narratives “Araby” and “Young Goodman Brown” have many points in common every bit good as differences. These narratives deal with the realisation of turning up or realisation of the truth. James Joyce shows the maturing of a immature male child into a adult male. Nathan Hawthorne tells about a adult male recognizing the facts about his milieus and himself. The world of the character fortunes hits so both toward the terminal of each narrative. Comparing and contrasting the narratives is shown in three chief points: scene. choler. and realisation.
The scene of “Araby” is North Richmond Street and the town flea market. besides named in the narrative Araby. This is described as a quiet cove to the reader. The lone clip where at that place seems to be motion is when the school lets out during the twenty-four hours. The kids on the street are ever looking for action or exhilaration to supply alleviation from the mundane dullard. “Young Goodman Brown” is told from the Salem Village and forest where Brown takes a journey. The street is merely every bit dull as Richmond Street without the pretty caput of Faith peering out towards Brown. Faith gives the dark street some visible radiation from the eyes of Brown. The wood is given the symbol of a topographic point of utmost immorality and darkness. Besides. realisation comes to Brown in the wood. These two scenes in the narratives both give a inexorable cold feeling to the reader.
The choler of the two characters comes out at the stoping of the narratives. The immature male child becomes angry at himself because he was naA?ve towards his relationship with Mangan’s sister. He thought he was traveling to win her love by traveling to Araby and conveying her a “trophy. ” Then subsequently while at Araby he has the realisation that she could non be interested in him like he had hoped for. He learns this by detecting an older male child and miss speaking in a manner that she ( Mangan’s sister ) ne’er talked to him. Young Goodman Brown becomes really resentful at society as a whole. He grows mad at society as a whole because he feels slightly cheated. He learned in the wood that people are non good or evil but can hold features of both. He ne’er does recognize that he has evil in him merely as everyone.
The realisation that both characters experience comes to them tardily in the narratives. The male child in “Araby” understands his state of affairs with the aid of the twosome flirtation in the town. He. in bend. becomes huffy for leting himself to even fantasy the thought that Mangan’s sister would wish him. This seems to go on to all people in their passage from childhood to maturity. Young Goodman Brown has a realisation in the wood by detecting the people in the wood. This causes his choler towards society. After he attains this cognition he does non hold the same trust for his married woman as he had antecedently.
The narratives “Araby” and “Young Goodman Brown” have similar and contrastive qualities. The journeys. choler and puting all have common evidences. Both of the narratives. for illustration. take topographic point during the eventide. Both of the characters experience alteration in one signifier or another. The thought that everyone grows up at different times is proven within these two narratives.