The two movies that I chose to discourse are The Gospel Harmonizing to St. Matthew and The Greatest Story Ever Told. Both movies were made at approximately the same clip, yet have many distinguishable differences and ends throughout. The two chief differences that I will concentrate on and discourse will be the environments and their encompassment of two clearly diverse representations of Jesus.
Paolo Pasolini ‘s Gospel Harmonizing to St. Matthew is a complex, beautiful narrative of Jesus ‘ concluding yearss. Displayed in documental manner, it shows Jesus in an look of Pasolini ‘s self-image, as an foreigner as opposed to the normal and expected mysticism that is normally shown in modern Jesus movie. This movie embodies the spirit of a Marxist, contains a proportionately loyal representation of the Gospel text, and has many good manufactured elements which make it a high quality piece. The movie was low budget and displayed Italy through black and white in its wake of World War II. Jesus ‘ character in The Gospel Harmonizing to St. Matthew is interesting in his terrible difference from most of the other Jesus movie figures. He is ever shouting, prophesying discourses to all who listen to them. He does non asseverate to be with the people or to convey peace, but to be a blade. Jesus attempts to travel the people off from the mistreatment that they are given from the upper category. He tries to switch their focal point on duty, and to promote people to move towards what is in front if they choose to follow him. A white radiance aura did non dispatch from his robe. Angelic aura did non vibrate above his caput. Throughout The Gospel Harmonizing to St. Matthew, Jesus ‘ garb is worn and lacerate. It surely is non pure white as many other Jesus figures have been displayed, but rough and flagitious like the provincials that he visits. This is a characteristic that shows Jesus as one of the provincials, surely non in any manner above them. The fact that Pasolini displays Jesus as a extremist instructor and does non take to concentrate every bit much on the fantastic facets of Bible, leads to more personal reactions of his followings.
George Stevens directed The Greatest Story Ever Told. This movie represents the narrative of Jesus ‘ life in a “ Hollywood ” manner. There is perfectly no defect of beauty to the manner the movie was pieced together. Many tasteful characteristics, every bit good as manager picks, create a dramatic image. This movie ‘s images appear to be excessively perfect. The scenery works admirations to show the emotions of the movie. The Greatest Narrative Ever Told besides casts many of the best known histrions of that decennary. It displays merely astonishing landscape images of the land, still and vibrating scenery, and is accompanied by tonss of elaborate lighting from both the Moon and Sun to make an extraordinary scene. Camera angles besides played a big function throughout. In peculiar, I noticed the sideway angles that were used at the crucifixion and a blend of highly low or high angles of shootings that expressed the importance of certain characters. Color is besides extremely of import and used good throughout the movie, particularly when you compare it to the dull black and white Gospel Harmonizing to St. Matthew. The kids and small town peoples are largely ever dressed in white, showing pureness. Jesus was dressed in the brightest white, showing that he is the most pure of all. A romantic Red is used to dress the Mary Magdalene of the film. The Satan character wears a deep black. This evil and dark black is besides what the Roman soldiers and high priests wore. At Jesus ‘ crucifixion, the illuming continuously darkens until his decease. At this point it is dark and a storm erupts from the celestial spheres. In The Greatest Story Ever Told, Jesus repeatedly stands against certain specific backgrounds that kind of provide him with a natural aura. He continuously wears nil but the most beautiful robes. It besides seems like he is glowing with an aura of God from clip to clip. In about every individual scene, the characters seem to be staged in a manner that places Jesus as the centre. The last supper shooting seems to be a transcript of Leonardo Da Vinci ‘s last supper picture. I found the usage of the hallelujah chorus as rather cliche . While these inside informations did non take anything off from the movie, they are obvious and things people reasonably much anticipate to be exposed to when they ponder about a Hollywood type Jesus movie.
The portraiture of Jesus himself in The Greatest Story Ever Told is decidedly the type of Jesus which most people imagine lived at that clip. That of class is a clearly different presentation than Pier Pasolini ‘s The Gospel Harmonizing to St. Matthew. Pasolini ‘s Jesus is huffy, radical, draw a bead oning to be a blade, decrease the instability of power, and rule control of the universe. That image of Jesus appears as more of a human leader, non a presentation of godly power. The Greatest Narrative Ever Told ‘s Jesus is nil like this. He is an honorable gentleman who does non discourse anything sing the coming of the apocalypse. He is compassionate, hopeful, and disclosure of a happier hereafter. The manager of The Greatest Story Ever Told still attempts to capture Jesus ‘ image as a human, but one that has Godhead power within, godly power that finally is in control of him. This is how he performs miracles, yet justifies them by crying that it is merely through the religion of his followings. Overall, The Greatest Story Ever Told expresses the aggregation of Gospels mashed together into one, whereas, The Gospel Harmonizing to St Matthew follows Matthew ‘s version in a cut/paste type of format.
“ The Gospel Harmonizing to St. Matthew ( 1964 ) – IMDb. ” The Internet Movie Database ( IMDb ) . Web. 28 Nov. 2010. & lt ; hypertext transfer protocol: //www.imdb.com/title/tt0058715/ & gt ; .
“ The Greatest Story Ever Told ( 1965 ) – IMDb. ” The Internet Movie Database ( IMDb ) . Web. 28 Nov. 2010. & lt ; hypertext transfer protocol: //www.imdb.com/title/tt0059245/ & gt ; .
Steward, Robert. “ The Gospel Harmonizing to St. Matthew. ” GLYPHS. Web. 28 Nov. 2010. & lt ; hypertext transfer protocol: //www.glyphs.com/words/film/95/stmatt.html & gt ; .