Courtship and Marriage Courtship and Marriage in Twelfth Night. Pride and Prejudice. and High Fidelity The thought of wooing and matrimony throughout history has had specifying points that have led to today’s positions over the affair. In the three books we have read: first being. Shakespeare’s Twelfth Night ; 2nd being Jane Austin’s. Pride and Prejudice and the 3rd ; Nick Hornby’s. High Fidelity. are all historical stairss that define matrimony and wooing today and how it got at that place.
In Shakespeare’s Twelfth Night. adult females are limited to whom they can get married. Even powerful adult females can’t seek their ain love instead supposed to love the adult male they marry. The thought of adult females and work forces as non-equals plays an of import portion in specifying wooing and matrimony in Shakespeare twenty-four hours and age. Toby says. “She’ll none o’ th’ Count. She’ll non fit above her grade. neither in estate. old ages. nor wit. I have heard her swear “?t. Tut. there’s life in “?t. adult male. ” ( pg. 21 ) Toby is speaking about Olivia in this quotation mark and uncovering she doesn’t want to get married anyone more powerful than she is. Olivia feels this manner because if she does her function in society and in her place will be decreased. Shakespeare defines matrimony and wooing as adult females were treated in those times. more of a ownership that a adult male acquired. The function of adult females did non do a large impact on work forces because adult females were non supposed to move in a manner that might be like present twenty-four hours adult females. frontward. Womans were supposed to obey the regulations of society at that clip.
Olivia says. “Give me go forth. beseech you. I did direct. after the last captivation you did here. a ring in pursuit of you. So did I mistreat myself. my retainer. and. I fear me. you. Under your difficult building must I sit. to coerce that on you in a black craft which you knew none of yours. What might you believe? Have you non put mine award at the interest. and baited it with all the’ unmuzzled ideas that oppressive bosom can believe? To one of your having adequate is shown. A cypress. non a bosom. fells my bosom. So. allow me hear you speak. ” ( pg. 97 ) Olivia is interrupting the regulations that society has put on her. she is prosecuting the adult males function and being frontward.
The thought of wooing and matrimony throughout history has had specifying points which have led to today’s positions over the affair. In the three books we have read: first being. Shakespeare’s Twelfth Night ; 2nd being Jane Austin’s. Pride and Prejudice and the 3rd ; Nick Hornby’s. High Fidelity. are all historical stairss that define matrimony and wooing today and how it got at that place.
Pride and Prejudice by Jane Austen defines wooing and matrimony more closely related to today’s society than of Shakespeare’s. She does this by contriving the thought that adult females can take whom they want to love and get married for that affair. She does this through Elizabeth. Jane and Lydia Bennet. Jane Bennet takes on the function of a more Shakespearean function in that she doesn’t decide whom she wants to love but is pushed into loving and get marrieding a wealthy. fine-looking adult male named Mr. Bingley. Jane’s parents. particularly her female parent. are influential in this determination. Lydia is and illustration of wooing and matrimony progressing into what it is today. Lydia chose her way in love even though it wasn’t needfully the correct one she chose to follow her bosom and flee with Mr. Wickham. Elizabeth Bennet is non merely Jane Austen’s chief character but besides the turning point in the old thought of adult females waiting for work forces and the new thought that you have to catch the fish before they settle for person else. Austen uses a new definition for matrimony one that consists with adult females going more powerful in the matrimony determination than in the yesteryear every bit good as in Shakespeare’s clip.
