Curleys Wife of Mice and Men Essay

July 20, 2017 General Studies

To get down with. in the novel Of Mice and Men. Curley’s married woman is a deprived character who relates to the subjects dreams and solitariness. She is of import in the novel because she portrays the stereotyped 1930’s adult females in America and she is the lone adult females in the novel. Steinbeck presents her negatively but by the terminal of the novel the reader feels sympathetic towards her. Curley’s married woman is foremost introduced in subdivision two ; ‘both work forces glanced up. for the rectangle of sunlight in the room access was cut off.

A miss was standing at that place looking in’ . Sunshine relates to trust. felicity and freedom. which most of the ranch workers seek. Steinbeck foreshadows she will destroy this by utilizing ‘cut off’ which shows she will be the ground why the spread workers dreams will be ruined. which she is. She seduces Lennie ensuing in her decease. which means the characters Lennie George and confect can non carry through their dream because everybody wants to kill Lennie. This shows the reader she is a troublesome character.

She is described as a miss instead than a lady due to the fact she is playful and flirty like a miss. Steinbeck shows she is looking in because she is seeking for something. Attention. This besides shows she is an foreigner because she’s non involved. merely simply lonely on the exterior. urgently desiring to be involved. Steinbeck describes Curley’s married woman as a prostitute by utilizing ‘she had full. rouged lips and broad spaced eyes. to a great extent made up’ . The phrase ‘rouged lips’ shows she has deliberately made her lips bold so the other ranch workers will detect this.

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The coloring material relates to danger which foreshadows that she is a unsafe character because Lennie got into problem because of a miss in weed with a ruddy frock and Curley’s married woman finally gets Lennie killed. Red is a seductive coloring material and she seduces Lennie. Steinbeck uses ‘heavily made up’ to demo she has made an attempt to be noticed which automatically makes the reader sense she is a sexually seductive character. Steinbeck shows she is out of topographic point because a stereotyped adult female on a spread would be mussy but Curley’s married woman attempts to be perfect.

It besides shows she has made herself reasonably to affect person. Furthermore. Steinbeck refers to her as ‘she’ because she has non got a name. Steinbeck has done this to demo her position in society was non of import plenty in 1930’s America to be called by her name. No-one knows it and no-one attentions what it is either. In 1930’s America. adult females were looked down on and did non hold the same rights as work forces did. although they had more rights than black people. Steinbeck uses ‘curley’s wife’ to demo she is the belongings of Curley ; the apostrophe shows she is the ownership of Curley.

This makes the reader experience negative feelings towards her due to the fact she has a hubby yet flirts with the other work forces. The following clip Curley’s married woman is introduced is in subdivision four ; she is looking for attending. ‘They swung their caputs towards the door. Looking in was Curley’s wife’ . Steinbeck portrays the subject solitariness because one time once more. she is on the outside ‘looking in’ . She is despairing to speak to person. Curley is at the whorehouse which gives her the opportunity to acquire out of the house because Curley makes her stay in the house all twenty-four hours.

When she does flight from the house to happen person to speak to. her familiar alibi is she’s looking for Curley. The other workers aren’t fooled and seek avoiding her ; they misinterpret her solitariness for being troublesome and flirty. At this point the reader still feels negatively towards her. Curley’s married woman appears in Crook’s room although confect and crook’s resent her unwanted presence. This makes her experience intimidated after she is told by a black adult male to acquire out. ‘I can acquire you strung up on a tree so easy it ain’t even funny’ .


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