Dance Essay

June 25, 2017 Music

The qualities of good dancer a good dancer in my opinion is one who dances for the luv of it. to be good at anything one has to understand and appreciate a thing deeply. a dancer must feel every beat and move to it. he/she must dance to the music like a wave dancing upon the sea. the two should be one. dance is a visible translation of music. a good dancer must realize dis. n most importantly, they should know that it’s not the mechanical perfection but the heart which matters in dance(: once u realize dis, confidence, rythm, beat, co-ordination will all come to you naturally. onfidence… sense of rythym.. flexibility 2 a certain extent, What he/she needs is grace and charm, good innate sense of rhythm, and to joyfully seek creativity in his/her dance. | YOU should have a flexible body. 2. NEW STEPS. 3. EXPRESSIONS should be great. 4. DANCING should be synchronous to the music. 5. INVOLVE with the audience. 6. and YES,smile!! IT usually works | | | | | | | | First off, most people don’t know what a dancer’s body is and they say that if someone is lean and has long limbs.

In reality a dancer’s body has a lot to do with their bone structure, their facility and their line. Ballet dancers are not particularly tall or short. They generally range from 5′ 3″- 5′ 7″ in height. There are exceptions on both sides of the spectrum. They really aren’t attractive bodies. Very gangly with long legs, arms and neck and a short torso. Because of their natural turnout they walk funny, and their feet look more like a monkey’s hand in the way they form the letter “C” when pointed. Like a swan on water, they look lovely on stage dancing, but also like a swan on land they look awkward when not.

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Only 2% of the population is born with that body type. Other than ballet bodies, other types of dancers have more normal type bodies but they have no fat and are solid muscle. They too must have great facility but don’t need the turnout and short torso and often times long neck that ballet dancers require. Dancer’s bodies are solid as a rock and tend to look in motion even when they aren’t moving. When you get into commercial dance such as cruse ships and show girls, that is when being tall is a plus. For concert contemporary dance all heights are used. ow, what a great question! Just by asking it, you’re displaying a wisdom that acknowledges that a lot about great dancing is about what’s internal. I think the fact that you already know the right question to ask shows that you already have some of the right stuff to be a great dancer. By asking about a dancer’s personality, you touch on the fact that personality is shaped by both “nature” and “nurture”; it’s both something you’re born with, but also something that is shaped as you grow. Because it can be shaped, you’re right that it is something you can improve.

However, it must be said that the first characteristic of a great dancer is that people can pick them out as dancers when they are in everyday places. Great dancers seem to have a natural charisma that makes people want to watch them. Almost hand-in-hand with that trait, dancers define themselves as dancers above everything else. It is who they are – morning, noon and night – from a fairly young age. They need to dance as much as they need to eat and breathe. From an outsider’s perspective, this can make dancers seem like dull people because of their seemingly singular focus.

But this trait will make young dancers willing to give up much of the usual things that their peers do in order to concentrate on their dancing. From there, the ability to be independent in terms of social gratification can help a dancer advance in their training. A dancer needs to know when it’s time to leave one studio or to attend a summer intensive on their own to get better training even if a friend isn’t going with them. This can also mean leaving a place where you’re a teacher’s favorite in order to join a new program where there are better dancers.

Conversely, it means having a thick skin in the face of criticism and rejection in order to keep going. But along with independence, you must remember the cardinal rule: NEVER BURN BRIDGES. The dance world is small, so all the contacts you make are vital to your career. Learning to be more and more responsible in all you do is also a key characteristic, but not necessarily one that all great dancers master. The less responsible dancers just burn out faster. Responsibility extends from matters of smoking, drinking and sex, up through all the things you need to know to live on your own in a big city at a very young age.

It’s really sad how many young dancers smoke, drink and don’t practice safe sex. Your body is your instrument, so the better you take care of it in every single way – eating right, avoiding germs, paying attention to aches and tension, etc – the better off you’ll be. Finally, great dancers gain exposure to great dancers – not just as teachers in their studios (which is certainly important), but by seeing as many great dance performances of all varieties as you can and reading about what’s going on in the dance world.

Ultimately, if you want to be a great dance ARTIST, you’ll need to widen your horizons beyond dance to other learning experiences, including travel, volunteer work, and liberal arts studies. I’d like to say one thing in conclusion. When I said earlier that dancers “need to dance as much as they need to eat and breathe,” this does NOT mean that all kids who take dance classes should feel this way. Such a passion must not be forced if it does not come naturally; that wouldn’t be healthy. If the passion is not there, then that means you need to find what IS your passion and pursue that instead of dance.

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