Dreams and Omens in The Hobbit and Julius Caesar Essay

September 18, 2017 General Studies

The Hobbit by J. R. R. Tolkien is an adventure narrative about Bilbo Baggins. who is a fabulous animal called a hobbit. Bilbo goes on an escapade with 13 midgets and a ace to capture a hoarded wealth from a firedrake. Julius Caesar by William Shakespeare is a drama about Julius Caesar. a existent Roman Emperor who is assassinated by political enemies that he thinks are his friends. These narratives are really different. but in both dreams and portents are really of import.

The dreams in The Hobbit and Julius Caesar are similar because they show what happens if you do non pay attending to what is traveling on around you and what happens if you do non listen to warnings in dreams. In The Hobbit. when they foremost acquire to the cave in the Misty Mountains. the midgets. Bilbo. and Gandolf all look around to see if it is safe. Since they do non happen anyone indoors. they decide it is all right to kip at that place. At first Biblo has a difficult clip falling asleep. Once he does. he has a bad dream. In his dream. “a cleft in the wall at the dorsum of the cave got bigger and bigger. and opened wider and wider.

” After that. “he dreamed that the floor of the cave was giving manner. and he was slipping—beginning to fall down. ” When Bilbo wakes up. he sees that portion of his dream is really go oning. Their ponies are being lead off through a cleft in the cave wall. and shortly the same thing happens to the midgets and Bilbo ( Tolkien. 59 ) . Since Biblo had a difficult clip falling asleep. it seems like he knew something was incorrect. but did non cognize what it was. In the dream though the job became obvious. Later. Bilbo dreams about black bears dancing about when Beorn and other bears are outside the window holding a meeting.

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Part if this is because J. R. R. Tolkien one time said that he made hobbits “small in size because it reflects the by and large little range of their imaginations—not the little range of their bravery or latent power” ( Carpenter. 180 ) . Many of Bilbo’s dreams are non really inventive. Except the one dream he has were he is looking for something in his house. he normally either dreams of something that is really go oning. like went he dreams of “a warrior. wholly undistinguished in size but provided with a acrimonious blade and great courage” ( 215 ) or he dreams of nutrient because he is really hungry ( 152 ) .

In the drama Julius Caesar. Cassius and Brutus are plotting to kill Caesar. but Julius Caesar thinks they are his friends. When they are all standing together. the Soothsayer tells Caesar “Beware the ides of March” ( I. two. 18 ) . It would be impossible for Caesar to cognize the twenty-four hours that Cassius and Brutus were traveling to kill him. but if Caesar were paying more attending. he might hold noticed that they were non truly his friends and were traveling to seek to subvert him. One difference in the function of portents and dreams in Julius Caesar and The Hobbit is how the characters react to them.

In Julius Caesar people notice the bad portents and dream but ignore them. For illustration. when the Soothsayer tells Caesar to mind of the ides of March. Caesar tells everyone to disregard him. Besides. when Calphurnia tells Caesar she has had a bad dream and he should non go forth the house. Caesar first disagrees with her. and so tells her he will remain home. Then when Decius makes merriment of him for listening to his wife’s dreams. and says “that for Caesar to retreat would do him look frightened in the eyes of the Roman plebeians. Caesar hastily agrees to travel to the Senate” ( Cahn. 15 ) .

When Caesar gets to the Senate. the work forces there kill him. In The Hobbit. the dreams are different. Either they are like the one Bilbo has in the cave and can non be ignored. or they are about something that Bilbo and the midgets can make nil about. like hungriness. and so they have to be ignored. The one clip that they do hold notice about an portents is when Elrond tells them how to come in the Lonely Mountain. When it is eventually clip. they do what he told them to make. and acquire into the secret entryway ( 209 ) .

Dreams and portents are really of import in Julius Caesar and The Hobbit because they sometimes show the characters something that they did non recognize. In Julius Caesar. the characters have adequate notice about what is traveling to go on. but they ignore the significances of the dreams and portents and Julius Caesar dies because he does everything they tell him non to make. In The Hobbit. the characters do non normally have adequate clip to make anything about the dreams because they have them about things that are already go oning. but when they do hold a opportunity. they listen to the portents from Elrond and are able to come in the Lonely Mountain.

In both books. the portents and dreams are right. and the characters have to make up one’s mind if they want to follow them. If they do non follow them bad things happen. but if they do. they can be successful. Bibliography Cahn. Victor. The dramas of Shakespeare: A Thematic Guide. Westport. Connecticut: Greenwood Press 2003. Carpenter. Humphrey. J. R. R. Tolkien: A Biography. New York: Harcourt Press 2000. Shakespeare. William. The Calamity of Julius Caesar. New York: Penguin 2000. Tolkien. J. R. R. The Hobbit. New York: Ballantine Books 1996.


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