Darkness is normally associated with fright or the unknown. As kids. we are afraid of the unknown under our bed that darkness brings. which. in bend. makes our imaginativenesss run rampantly. making monsters. shades. and of class. the occasional bogeyman. Even as grownups. we still have an antipathy to drive at dark or travel walking entirely in the darkness. So it merely makes sense that darkness is used in all signifiers of art to typify some sort of fright. unknown thing or topographic point. or a plaintive province. Within the universe of poesy. the contrast of light and dark can be seen in 100s of verse forms. including “We Grow Accustomed to the Dark” by Emily Dickinson and “Acquainted with the Night” by Robert Frost where the darkness symbolizes something much deeper than merely fright.
Both verse forms. “We grow accustomed to the Dark” and “Acquainted with the night” use the elements of Light and Dark as symbols within the speakers’ lives. In “Acquainted with the night” the talker negotiations of darkness as his past experiences. most of them non good. and possibly the depression that accompanied them. He says. “I have walked out in the rain and back in the rain. ” significance he has been through events. emotion. and sorrows through his life several times. but has managed to come through each 1. He talks of how he has seen lugubrious minutes when he says. “I have looked down the saddest metropolis lane. ”
However. he is either ashamed or merely unwilling to lucubrate on his experiences in the line. “I have passed by the watcher on his round and dropped my eyes. unwilling to explicate. ” The speaker’s depression is so deep ; he feels he has no hope or manner of retrieving. This is said in the line. “I have outwalked the furthest metropolis visible radiation. ” When the talker gives descriptions of “the sound of feet” and “an interrupted call. ” it gives the reader a sense of sightlessness and fostering the speaker’s darkness and uncertainness of his life. The visible radiation that is shed by the “luminary clock” or the Moon shows the prolonging of clip that the talker has to wait for something. perchance hope. to regenerate the “light” in his life.
The talker in “We grow accustomed to the dark” negotiations of similar things. He talks of jobs most face throughout life and hard determinations that are ineluctable. The darkness in this verse form. much like Robert Frost’s. does non speak of actual darkness. but emotional darkness of the talker. However. he does non speak approximately dark as life in general. In the line “As when the Neighbor holds the Lamps to witness her Goodbye. ” Dickinson stating that other people may keep “light” . intending hope. religion. or felicity. but sometimes darkness is inevitable. He articulates that when good things are taken off from a person’s life. he must set his perceptual experience to the “darkness. ”
This is said in the line “Then-fit our Visions to the Dark- . ” Then. when he talks of the Moon holding to subscribe. he says that non even the Moon. normally the brightest visible radiation at dark. can non give him trust. He says that brave people will seek for things but merely neglect. That people try to run off from the darkness within them and seek to deny it. But in the line “And sometimes hit a Tree” shows that even when you run from a job or seek to deny it. there will be other jobs you run into. However. this arrest in traveling on merely makes that individual stronger and wiser. larning from his errors. He says the lone manner to happen oneself when there is no light or goodness is to travel frontward and adjust.
The two verse forms are structured really otherwise. While Emily Dickinson uses short phrases with long sentences. Robert Frost uses whole sentences that flow easy. In “We grow accustomed to the dark. ” the short words or phrases clumped together add accent and description. These cut phrases typify interior struggle or battle within the talker. The line “As when the Neighbor holds the Lamp” is one of the few lines that does non hold a elan at the terminal. This is because the light illuminates the darkness. destructing the battle. Dickinson adds these descriptive phrases to give more imagination to the verse form. But still. each phrase and stanza tantrums with the following. adding to the whole image of a lightless midnight.
An illustration of the preponderance of elans and their symbolizism is seen in the line “Or Star-come out-within- . ” This line is about the mental darkness with no solution or “light” and the sum of elans adds accent to the hopelessness in the hunt for visible radiation. “Acquainted with the Night. ” Frost uses sentences that flow lightly from one to another. This gives the verse form an consequence of motion. It is read like a narrative. doing it easy for the reader to link things within the verse form. Frost besides uses a really steady riming strategy to pull the verse form all together as whole. The rhyming at the terminal that corresponds to the beginning brings the reader back to the start of the verse form. similar to a circle and symbolizes the speaker’s repeating unhappiness.
Everyone experiences dark times in his life-some more than others-with what seems like a ne’er stoping conflict. These two verse forms. with two different experiences of darkness. state us that there have been people who went through the same darkness we may be traveling through. Their laterality through the apparently maelstrom dark gives us hope for a better twenty-four hours. Dickinson and Frost have shed some visible radiation into an progressively darkened universe.