Blade Runner and Frankenstein Ideas

December 22, 2016 Cultural

Blade Runner and Frankenstein
Paragraph One:
* The two texts foreground a world of science and progress and illustrate a protagonist??™s hubris that takes on the role of ???playing God.??™
* Perspective of Walton- epistolary narrative form
* The symbolism of nature and didactic influences of both texts are utilised in the formation of two science fiction stories, representative of contemporary issues in relation to their context
Paragraph Two:
* The historical context behind ???Blade Runner??™ is tainted by the forces of globalisation, materialism and scientific innovations that considerably impacted the pre-established social and economic values of the 1980s.
* Social concerns towards environmental issues- pollution and urbanisation
* Opening scene depicts a wide shot, lacking any natural light or colour
* Mass media- vast power of advertising, Coca-Cola and Budweiser
* Blade Runner was created as a reaction to increased concern about the effects of the Western life-styles upon the environment
Paragraph Three:
* Mary Shelley composed ???Frankenstein??™ during the Romantic Movement in a time that was, similarly to ???Blade Runner??™, enveloped by social upheaval.
* Influences such as industrialisation would have been considered repressive by Shelley who favoured the ideals of nature in its place.
* ???The very winds whispered in soothing accents, and maternal Nature bade me weep no more.???
* This stimulates a feeling of sentimentality from the reader which is juxtaposed with the sense of dehumanisation and seclusion felt by the responder throughout ???Blade Runner.??™
* Shelley creates contrast between a Romantic and an Industrialist by making a social commentary about social acceptance during the Age of Reason
Paragraph Four:
* Both Frankenstein and Blade Runner contain Gothic elements, which was a prominent genre especially linked to the time Frankenstein was composed.
* Gothic Themes: death, grief and destruction
* Techniques: pathetic fallacy, heightened emotions and the binary opposites of man and monster
* Shelley juxtaposed the emotions of Henry Clerval and Frankenstein in Volume Three, Chapter 2- ???The delight of Clerval was proportionably greater than mine; and he found in his own nature greater capacities than he could have imagined himself to possess.???
* The Gothic themes that pervade Blade Runner are embodied through the visual elements of screen style Film Noir (a dark and pessimistic world view of which the main protagonist Deckard is unable to extricate himself from)
* Mis en scene elements, filmed from eccentric camera angles
* Cityscape- High tech and glistening in places but elsewhere decayed and old
Paragraph Five:
* The story of Frankenstein is linked to Greek mythology through its subtitle ???or the Modern Prometheus??™.
* Prometheus- a titan who stole fire from the gods on Mount Olympus in the prospect of benefitting human kind however; he was punished for his efforts.
* Religious connotations in Blade Runner: Tyrell, lives in a pyramid above the clouds
* Tyrell??™s ability to dim the sun on command
* The Promethean dangers of man playing god is further illustrated through the dehumanisation of society and destruction of nature.
* Major recurring theme: the intervention of humans in the natural world and the power humans possess
* Didactic representation
Paragraph Six:
* The creature in Frankenstein and the leader of the fugitive replicants Roy from Blade Runner are paralleled through their characterisation
* Evocative and sophisticated language of the creature- evokes sympathy
* Through Roy, we question the ethics of technical development.
* ???I??™ve seen things you wouldn??™t believe. Attack ships on fire off the shoulder of Orion??¦ moments will be lost in time, like tears??¦ in rain. Time to die.???
* More than just a product of science, human qualities and an instinct for survival as strong as any human
* The negative impact of science is evident through both Roy and the creature
Paragraph Seven:
* Mary Shelley and Ridley Scott??™s critiquing over scientific experimentation is pertinent through the composition of two stories that deliberate the success of creating human life from inanimate matter.
* Historical influences: Gothicism, Romanticism, materialism and scientific innovations
* While deeply aware of Frankenstein, Blade Runner evokes the earlier text now with intention of adapting it but rather reconnecting with the issues it raises in a new and altered cultural context.
* Hubris
* Science fiction texts
* Epistolary Narrative- Walton
* Didactic representation
* Gothicism
* Pathetic fallacy, heightened emotions
* Film Noir & mis en scene
* The Modern Prometheus
* Religious connotations
* Binary opposites: M & M
* Globalisation, materialism and scientific innovations
* Opening scene- wide shot
* Social upheaval
* Romantic Movement


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