This essay will dig into the life of Flannery O’Connor non merely as it is told biographically but as her life relates and is reiterated in the narratives she writes. By utilizing O’Connor’s fiction as a background to her life. the essay will concentrate on the eccentric word picture of the supporters of O’Connor’s narratives every bit much as O’Connor herself was a really alone individual. Thus. O’Connor will be exemplified as being explained through her characters such as in the narrative Good State Peoples. O’Connor was a great user of fable in her narratives.
As O’Connor in her life was an introvert most of her characters are gregarious such as in Good State Peoples and the character Hulga. Hulga denies herself foremost in the narrative by the changing of her name from Joy to Hulga which signifies O’Connor’s ain disdain of falsenesss. She is saying through the character Hulga that people are prone to be blind in countries in which they should be maintaining both eyes open. She states this in respect to events in her ain life such as turning up Catholic in a largely Protestant vicinity.
Hulga is unsighted to her ain personality and what she is capable of making and by altering her name she is seeking to rewrite her ain history. O’Connor as a write can sympathise with this impression as through her characters O’Connor is seeking to happen her ain individuality. O’Connor’s true niche in composing ballad with the creative activity of the tragic hero. She felt that she herself was a tragic hero since she at one time had to get the better of a physical malady every bit good as remain inactive because of that malady and thereby non bask the universe nor prove to the universe the capablenesss of the ego ; herself.
Her 2nd belief was that the universe is charged with God ( Wikipedia ) . She was unapologetic in her authorship manner and the ‘grotesque’ characters with which she filled her narratives. Each character of O’Connor’s fiction brought on a cardinal alteration for the character. When Hulga changes her name and so meets Manly Pointer and goes through a really speedy transmutation. The rejection of the name Joy to the embracing of the name Hulga reveals for the audience that Hulga does non bask herself but expects life to be filled with letdown and in fact has been taught as much from household and neighbours.
Upon run intoing Manly Pointer Hulga. Hulga is disdainful and sees herself as better so him whom she describes every bit simple and subdued witted yet agrees to travel on a field day with him in order to demo him a deeper significance to life ( Hulga is hung up on agony and sadomasochistic phantasies ) . In fact. Hulga is the 1 who is nescient about the universe as Manly Pointer demonstrates a series of juggling events in which he seduces Hulga and leaves with her wooden leg. This is where Manfully Pointer reveals his true ego and where the reader is exposed to the true Hulga. O’Connor was brilliant at acknowledging the cogency of a individual in cardinal minutes.
Hulga had to be stripped of her self-respect in order to be low and acknowledge some truths about herself. This parlays to the fact of O’Connor’s unwellness and her attempting to do sense and delegate some kind of intent to the disease in which she could see none as a Catholic expect to believe of it as a manner in which it allowed herself to stay low before God. As O’Connor provinces in Good State Peoples. “Everybody is different. ” Mrs. Hopewell said. “Yes. most people is. ” Mrs. Freeman said. “It takes all sorts to do the universe. ” “I ever said it did myself. ” ( O’Connor 181 -82 )
Therefore. O’Connor is representing that diverseness is the key to the enjoyment of life and that determining to the thought of flawlessness is conscienceless. O’Connor’s niche in literature was the authorship of calamity. This is seen non merely when Manly Pointer bargains Hulga’s leg and she must wait for aid up in the tree house. O’Connor wanted her characters to be presented through a duality of good and bad or through their capablenesss of force paired with their being touched by godly grace ( Wikipedia ) . This alteration so is painful ; for Hulga it is pride and the fact that she is faced with her ain awkwardness and state ways.
Each character falls in the narrative. tragically and ironically. Thus. O’Connor is non sentimental in her narratives which reveals a character trait of her ain ; the absence of commiseration from her life as it is from her narratives. This plays into the construct of individuality which relates to most of O’Connor’s characters ; the ego journey and the eventual determination of the ego at the terminal of the journey no affair who the ego truly is. O’Connor for her portion led a really sheltered life so the subject of a journey is prevalent in most of her narratives. particularly in Good State Peoples.
O’Connor liked to compose approximately displaced people because she herself felt out of topographic point or even she felt this subject got to the truth of humanity faster than a character that already has sought salvation at the beginning of the narrative. O’Connor wrote about the journey merely every bit much as she wrote about the metabolisms of the characters since for O’Connor it was in the alteration of character. the switch from wickedness to inquiring for forgiveness that marked her life.
Work Cited O’Connor. Flannery. Good State Peoples. Harcourt Company. Noonday Press. 1977.