Chapter 17 is potentially the most of import chapter in the novel for structuring the form of the narrative and may be seen as the turning point in the novel. During this chapter. Amir is handed a missive by Hassan composing about his boy Sohrab and how life in Kabul has changed dramatically since he and Baba fled to America. Rahim Khan explains how Hassan and Farzana were killed by the Taliban and as his deceasing wish. Amir must travel and deliver Sohrab. It is revealed that Baba is Hassan’s male parent. doing him and Amir half brothers. Hosseini uses 3 different narrative voices in chapter 17 opposed to other chapters with merely Amir narrating. This gives us a much more personal position into Hassan’s life. adds pragmatism to the narrative and how corrupt Kabul has now become. ‘…suddenly a immature Talib ran over and hit her on the thighs with his wooden stick’ . contrasting enormously with Amir and Hassan’s childhood.
Amir’s usual retrospective foremost individual narrative is present nevertheless Hosseini besides uses the present tense to do Hassan’s decease more affectional as we can conceive of it more vividly as a reader. ‘Hassan slacks to the asphalt. his life of unanswered trueness floating from him like the windblown kites he used to trail. ’ Not merely is this quotation mark used so we can see Hassan deceasing but it links the whole novel together by utilizing the repeating motive of kites. associating back to chapter 7 when he ‘chased’ the bluish kite. and his ‘unrequited loyalty’ is apparent throughout the bulk of the novel. ‘Hassan ne’er denied me anything’ . Although Hassan’s decease is foreshadowed nevertheless in chapter 16. ‘God aid the Hazaras now’ . Hosseini creates suspense and dramatic tenseness towards Hassan’s decease by giving Amir the missive foremost before uncovering his decease. giving Amir hope and doing the reader presume his journey to salvation would shortly be over.
‘I dream that someday you will return to Kabul and re-visit the land of our childhood. If you do. you will happen an old faithful friend waiting for you. ’ This quotation mark once more creates a more dramatic and affectional response to Hassan’s decease both from the reader and Amir after Hassan’s optimistic and promising missive. Hassan’s decease is instrumental in determining the narration of the novel and is arguably the turning point as it forces Amir to seek his salvation and debt to Hassan to Sohrab. The ground Amir came to see Pakistan in the first topographic point was to apologize to Hassan and being the lone individual alive and able. ‘Now everyone in that exposure was either dead or deceasing.
Except for me’ . Amir was the lone 1 left to salvage Sohrab from the Taliban and Assef. Another cardinal event in the chapter is the unveiling of Hassan’s true male parent. Baba. Amir reacts severely to the intelligence and Hosseini portrays this utilizing Westernised linguistic communication to contrast with Rahim Khan’s traditional linguistic communication. His choler is emphasised through the repeat of ‘you goddamn bastards’ . This contrasts with the earlier chapters in the novel where Amir ever speaks to Rahim Khan courteously and with regard and could stand for the influence America has had on him.
Finding out that Hassan and he were stepbrothers besides makes his determination to salvage Sohrab even more important and makes the reader more dying to see whether or non he will bewray Hassan once more or deliver himself. His determination to salvage Sohrab is foreshadowed in chapter 14 when General Tahiri says ‘blood is a powerful thing. bachem. ne’er bury that’ proposing that the bond of blood and brotherhood is so strong. Amir must salvage Sohrab. his ain blood relation in order to to the full finish his journey to salvation and atone for his wickednesss.