Love is a basic necessity of human life that is sought after in order to carry through a privation for romantic engagement. Love is a normally explored subject throughout the universe of literary plants, particularly in that of poesy. Sir Thomas Wyatt explores this subject in many of his different plants, but frequently in a negative context. Multiple literary devices are used in Wyatt ‘s “ They Flee from Me ” in order to convey his subject. He speaks of adult females with whom the talker has been romantically involved that usage him entirely for physical pleasance and so upon obtaining this pleasance, leave. Wyatt uses rhyme strategy, imagination, and enunciation to expose his subject and message.
The construction of the rime strategy used in Wyatt ‘s verse form “ They Flee from Me ” can impart itself to be interpreted as a secret plan line for the talker ‘s life. The rhyme strategy that Wyatt uses is a seven lined stanza, holding the strategy of ABABBCC. A powerful decision in each stanza is efficaciously set up through this rhymed strategy and stanza signifier. The ABABB lines set up impact for the CC lines. The first three lines of the stanzas in this verse form surrogate in rime, and so the last four terminal in riming pairs. The repeat of the talker ‘s forsaking by adult females after sexual Acts of the Apostless is reflected in this. As a whole, this verse form tells of a adult male who was one time favoured but has now noticed that his past lovers no longer want or need him. His life is filled with unfaithful lovers, and adult females who leave him for other work forces. This verse form is non a typical, idealised romantic work and that is emphasized by the contemplation of the talker ‘s life through the rhyme strategy.
Romantic plants frequently employ the usage of imagination to make the ideal state of affairs of love and love affair. However, the imagination that Wyatt uses is really actual and straightforward ; it is used to depict his many sexual developments. The first stanza of the verse form is an drawn-out metaphor comparing the adult females that the talker has been involved with as animate beings that flee from him and abandon him as they move on to new work forces. “ They flee from me ” ( 1 ) conjures up an image of the talker as a huntsman and the adult females as his quarry. Animals who were one time “ soft, tame, and meek ” ( 3 ) but who now are “ wild ” ( 4 ) are used a comparing to these adult females. These adult females, who at one point had readily submitted themselves to the talker, gave him laterality and the talker was able to easy derive control over them. They were much like trained and domesticated animate beings. Now, nevertheless, “ they range, / Busily seeking with a continual alteration ” ( 6-7 ) . So that they may seek other work forces elsewhere to supply them with the physical pleasance that they hunt for, the adult females leave him. Meanwhile, in the 2nd stanza the talker recalls being visited by a beautiful, barely clad adult female “ 20 times better ” ( 9 ) than the others whose “ loose gown from her shoulders did autumn. ” ( 11 ) Here the tides have turned. The function of the huntsman is taken over by this adult female and the talker becomes the quarry when “ she [ gimmicks him ] in her weaponries long and little. ” ( 12 ) The conventionally male function of wooing has been taken off from the talker by the adult female – he was courted, he was sexually seduced, he was abandoned, and now he is frustrated and even angry. The usage of imagination in this poem brings visible radiation to the less than ideal romantic state of affairs of the talker every bit good as his feelings on it.
The enunciation that is used by Wyatt reflects the true desires of the talker. The vocabulary used in the verse form is elegant and expressive. The usage of this kind of vocabulary mirrors the talker ‘s privation and demand for a relationship that is much more than merely sexual dealingss. However, when this relationship can non be found, the talker becomes agitated and discouraged at the deficiency of existent love affair in his life. In the line “ It was no dream, I lay wide waking ” ( 15 ) , Wyatt has shortened the standard ten-syllable line to nine syllables, therefore making a dramatic intermission between “ dream ” and “ I. ” The fact that it is a memory that is still fresh in the head of the talker is suggested by the intermission between these two words which emphasizes both halves of the line. This extremely appealing memory nevertheless is short lived as the talker shortly after Tells the reader that everything has now changed ( 16 ) . The talker ‘s tone is ab initio self-pitying ( 16 ) , but he shortly becomes sarcastic ( 18 ) and so bitter and even vindictive ( 20-21 ) . The talker ‘s gradualness is the ground that the adult female forsakes and wantonnesss him. This promiscuous adult female is content with a one clip, no strings attached, happening, but the talker nevertheless is non. He would instead hold person to tribunal than be treated as an object of lecherousness and this is shown really clearly through the usage of enunciation.
The literary devices that Wyatt uses to convey the message in the verse form “ They Flee from Me ” provide elusive intimations towards the talker ‘s true feelings about adult females and relationships of love. The talker feels abused and abandoned because he is being used for sexual intents, while he yearns for a romantic relationship. Wyatt ‘s rime strategy, imagination, and enunciation play a important function in uncovering this significance to the reader. The talker wants to be loved as more than merely a lover between the sheets.
Greenblatt, Stephen. “ They Flee from Me. “ A The Norton Anthology of English Literature.New York: Norton, 2006. 351. Print.