Mao’s Last Dancer by Li Cunxin Essay

September 15, 2017 Music

‘Non-fiction texts merely trade with facts. ’

Discuss the cogency of this statement. In your essay response. you should discourse how composers of non-fiction texts present their point of position with specific mention to your non-fiction text.

Autobiographies. as a narrative non-fiction text. by and large rely on the conventions of factual historical grounds while showing a personal point of position. Non-fiction texts therefore. rely on nonsubjective item and a subjective position. Throughout the autobiography Mao’s Last Dancer the composer Li Cunxin offers a personal rating of actions and speculates on the significance of certain actions and events. To prosecute and entertain the respondent the composer uses opinionated linguistic communication and affectional linguistic communication throughout. Recounts rely intensely on memory. which can be delicate and deceptive. and hence one should oppugn the cogency of such a text. Such an autobiography besides deals with factual events but includes a degree of subjectively. By stating non-fiction texts merely trade with facts is partly incorrect because non-fiction texts such as autobiographies do cover with the things other than facts and it contrastingly brings immediateness to events that have been merely narrated by secondary versions. Consequently. non-fiction texts are non ever objective when covering with the events in a person’s life and this proves right through the novel.

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Autobiographies by their very nature rely back on memories from the yesteryear. This can be delicate and can disregard certain facts. In Li Cunxin’s text. most of his composing relied back on his memory. He exaggerates and reinforces his points rather strongly. Hyperbole is used in this line. “My springs were high…It felt like as if I was flying…gliding through the unfastened sky. and if the music allowed it. I would hold stayed in the air all dark. ” ( p314 ) seting the truth to portray him in a positive visible radiation. Furthermore. Time does hold an consequence on memory as it can be clouded over clip and can non be as strong. For illustration when Li has a conversation with Teacher Xiao he includes the exact duologue. which was spoken. “Cunxin I understand your choler and I think Teacher Gao was incorrect. He shouldn’t name…” ( p182 )

The reader must oppugn how the writer remembers each item from his yesteryear. This adds to the subjective nature of this genre. Li reflecting from his memory besides shapes his emotion. full on life. Emanating from Li’s personal emotions this indicates that this is a subjective recount every bit good as aim. “My feelings about go forthing her and traveling back to China became unbearable” ( p289 ) . Aspects of the narrative besides describe how his parents were experiencing before he was born through the short dramatic sentences. but is non basically factual as he was non really at that place. “She knows her household will no longer be her chief beginning of comfort…looks back at her familiar small town for the last clip. she has no cryings. ” ( xiv ) and so this relies on memory and position one time once more.

The usage of first individual. it interoperates non-fiction texts such as autobiographies. an undependable beginning of information. The intent of composing in this manner is to give the respondent a personal consequence. while reflecting back on their life narrative. Therefore. this reiterates the fact that the autobiography is merely set on the personal and selective events being conveyed by the writer. By making so. the reader is presented with prejudice and limited factual content explored within Mao’s Last Dancer. They persuade the reader into believing its true ; it could give the reader a incorrect perceptual experience of true events and topographic points because there is nil else to judge them from. Aspects of one-sidedness are presented to us in Mao’s Last Dancer. which suggest the storyteller is undependable.

The usage of skip is brought to our attending at the start of the ‘afterword’ . The fact that the writer coatings composing on the page about a peculiar event which occurred in the distant yesteryear ( being released from the Chinese Government ) . And so starts a new page wipe outing a whole phase out of his autobiography. “My new life with Elizabeth began like an East meets West faery tale…” ( p308 ) merely reassures the readers that the legitimacy of the text is non all true. What has happened in the release and the meeting of Elizabeth? The reader does non hear what her point of position is on the fortunes or what she thinks about it. such as why their matrimony failed. “but it didn’t work out the manner we both had hoped. ” ( p308 )

This simply gives the reader a one sided point of position. As we hear Li’s ideas and emotions towards Elizabeth. the reader is manipulated into sympathising with Li. Therefore Elizabeth is non given equal word picture. “Our matrimony finally failed. We suffered greatly and I felt awfully entirely in the universe. I had no 1 to travel to. ” ( p308 ) The usage of this personal manner makes this genre a subjective text.

However. autobiographies do include factual item and are non all subjective. In Mao’s Last Dancer. the writer includes an appendix. which outlines the historical events mentioned in the book. These include mention map. a historical timeline of China in the twentieth Century and black and white exposures with captions. These endorse Li Cunxin’s life narrative and set it within a historical context. Related grounds for the reader that these events really occurred. “In 1921 the Chinese Government party was founded. ” ( p328 ) . This references to historical figures. such as Chairman Mao Zedong. and the usage of day of the months provided. However one must oppugn why the writer and their intent selected these illustrations.

The written manner of non-fiction text both trades with facts and emotional theories. Therefore all this happening by nature. Emotional theories. which are focused on in the text. Mao’s Last Dancer. involves the thought of memory in which the events occurred. Throughout the novel we witness from the writer the legion times the breakability in memory. The one-sidedness in autobiographies frequently gives the reader a bias position on all events and the writer normally alters the truth. By stating non-fiction texts merely trade with facts is extremely problematic as facts are intertwined with the personal.


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