In Katherine Mansfield’s short narrative “Miss Brill. ” Mansfield describes Miss Brill as a adult female who is in deep denial of her state of affairs. Miss Brill is an aged adult female who is non cognizant of the hurt in her life ; because she doesn’t want to confront the world of acquiring old. Miss Brill shows the personality of a adult female who is vain. detached. and over sensitive as she goes through her specific Sunday in the park have oning her favourite “Dear small thing” pelt ( 65 ) . Because Miss Brill struggles to acknowledge the world of acquiring old. her amour propre makes her thinks she’s a particular individual and an actress in the drama.
Miss Brill believes she has a “special seat” ( 65 ) in Jardin’s Publiques the park where she sits every clip. This peculiar Sunday afternoon is rather particular for Miss Brill. because she has taken out her favorite pelt from the box. Her “little rogue” ( 65 ) is like a favored “biting its tail merely by her left ear” ( 65 ) . and she imagines it as her comrade. As Miss Brill goes through her twenty-four hours on observation and listening other people in the park she thought. “She had become truly rather adept. . . t listening though she didn’t listen. at sitting in other people’s lives merely for a minute while they talked unit of ammunition her” ( 65 ) . She fantasizes about reading a newspaper to an invalid gentleman saw wooding besides her. pretense to be on phase and believing she was a good actress. “An actress —are ye? ” ( 67 ) thought Miss Brill. which once more shows her amour propre. Although Miss Brill is a instructor and is about people in the park every Sunday. her withdrawal is revealed by her non doing any existent contact with her frequenters.
She is ever distant. reserved and aloof. The lone comrade she has is her pelt. she “laid it on her lap and stroked it” ( 65 ) . When the set started to play once more. she thought the music “was warm. sunny. yet there was merely a swoon iciness. . . . what was it? . . . . non sadness—a something that made you want to sing? ” ( 67 ) . Miss Brill rejects the feelings of hurting and solitariness detaching herself from being hurt.
As Miss Brill continues her minute of psychotic belief. her over sensitiveness is evident when a male child and a miss all of a sudden come to sit ext to her. she is looking frontward listening to their conversation as she thought of them as a “hero and a heroine. ” ( 68 ) but to her discouragement. she hears them speaking about her. naming her “that stupid old thing” ( 68 ) . and doing merriment of her favorite pelt: “It’s her fu-fur. . . It’s precisely like a fried whiting” ( 68 ) . Miss Brill is hurt and on her manner place. she skips traveling to the bakeshop to purchase her favorite dainty. Alternatively she goes directly place. puts her pelt in the box and goes into her dark. cupboard-like room. While sitting at that place for a long clip “she heard something weeping. ” ( 68 ) .
Miss Brill is the one weeping. yet she doesn’t want to confront the world of acquiring old and the resemblance she has with her old pelt. After every denial and rejection of her hurting and solitariness. Miss Brill’s world comes in a rough manner when she hears the immature twosome doing merriment of her. Finally. she allows herself to experience the hurting. injury. and solitariness for a minute. Miss Brill’s amour propre. withdrawal. and over sensitiveness are her arms to conceal her emotional battle of accepting the world of going a old maid.