Secrecy, love, repute and trueness. These four words are a changeless reoccurrence in the lives of the characters in the book The Great Gatsby. The writer of the American classic, F. Scott Fitzgerald, boldly presents the thought of Gatsby and Daisy ‘s love by utilizing word picture, imagination, and symbolism to demo the reader the dynamic differences of the yesteryear and the present.
The scene of The Great Gatsby brings its readers to the Roaring Twenties, a clip where adult females were expected to be loyal and quiet, while work forces were granted to power to make whatever they pleased. The phase of the narrative is set on two islands near New York called West Egg and East Egg. East Egg is portrayed as being inhabited by affluent upperclassmen that come from “ old money ” and plume themselves on being the socialites of New York. West Egg on the other manus is populated by upperclassmen who are seeking to go as affluent and every bit popular as East Egg through difficult work and connexions. Nick Caraway, the storyteller of the book, has merely moved from the West to West Egg in hopes of going a successful bondman. At first the lone people he knows in the East are his cousin Daisy and her hubby Tom Buchanan, but this rapidly changes as he is introduced to Jordan Baker, a celebrated golf participant and friend of Daisy. As clip passes the secrets of Daisy and Tom ‘s broken matrimony are brought to the surface as Gatsby, the chief character of the book, is introduced. Gatsby lives on West Egg and is Nick ‘s neighbour. As the secret plan develops Gatsby is easy revealed for who he truly is and boldly professes deathless love for Daisy, a married adult female.
Word picture is a key in placing and making the personalities of each single character. In The Great Gatsby, Fitzgerald uses the different elements of duologue to demo how Gatsby is despairing for Daisy ‘s blessing.
“ She did n’t like it, ” he said instantly.
“ Of class she did. ”
“ She did n’t like it, ” he insisted. “ She did n’t hold a good clip. ”
He was soundless, and I guessed at his ineffable depression, ( Fitzgerald 109 ) .
This shows how Gatsby is truly depressed by the fact that Daisy did n’t bask her clip at the party even though he has the blessing of infinite others. Gatsby ‘s love and demand to give Daisy nil but the best is the beginning of his ain unhappiness. Another illustration of word picture, is when Nick notes “ He wanted nil less of Daisy than that she should travel to Tom and state: ‘I ne’er loved you, ” ( Fitzgerald 109 ) . Gatsby rightly wants Daisy to be his and non Tom ‘s. This one remark made by Nick truly shows how evident Gatsby ‘s love for Daisy is to foreigners. His discern about how others perceive his fondness for a married adult female is bold and gawky. This sparks Tom ‘s intuitions about his married woman ‘s dealingss with the ill-famed Gatsby.
Another case of word picture is when Gatsby proclaims that he can and will reiterate the yesteryear.
“ I would n’t inquire excessively much of her, ” I ventured. “ You ca n’t reiterate the yesteryear. ”
“ Ca n’t reiterate the yesteryear? ” he cried unbelievingly. “ Why of class you can! ”
He looked around him wildly, as if the yesteryear were skulking here in the shadow of his house, merely out of range of his manus.
“ I ‘m traveling to repair everything merely the manner it was before, ” he said, nodding unfalteringly. “ She ‘ll see, ” ( Fitzgerald 110 ) .
This superb usage of duologue shows the utmost sum of despair Gatsby is sing. He is so in love with Daisy that he will try to suppress a effort every bit marvelous as reiterating the yesteryear. Fitzgerald clearly nowadayss and exposes Gatsby ‘s true feelings and features.
In the authoritative narrative of The Great Gatsby, imagination plays an of import function in puting the temper of the narrative and conveying the true feelings of Fitzgerald ‘s characters. A really of import case where Fitzgerald uses imagination is when Gatsby is talking to Nick at Gatsby ‘s house after one of his ill-famed parties. “ He broke off and began to walk up and down a bare way of fruit rinds and discarded favours and crushed flowers, ” ( Fitzgerald 109 ) . The image of the broken way Nick describes helps link the subject of loss and grief that is displayed throughout the novel. In add-on to being a type of imagination, this one quotation mark could be perceived as symbolisation. The way that Gatsby is walking upon could easy typify the class of his life and relationship with Daisy. The crushed flowers typify his ruined and unreturned love for Daisy, the fruit rinds stand for the empty shells of Gatsby, the way is described as desolate because that is how Gatsby feels emotionally, and eventually the cast-off favours could possible stand for the deficiency of true friends that Gatsby has in his celebrated life.
Fitzgerald is literary mastermind when it comes to doing his words flow and intertwine attractively. On several occasions the writer combines two devices into one traveling phrase. For illustration when Gatsby and Daisy are walking through the little town of Louisville one fall dark Fitzgerald captures to subtle alteration in Gatsby.
The quiet visible radiations in the houses were humming out into the darkness and there was a splash and hustle among the stars. Out of the corner of his oculus Gatsby saw that the blocks of the pavements truly formed a ladder and mounted to a secret topographic point above the trees – he could mount to it, if he climbed entirely, and one time there he could suck on the pablum of life, gulp down the uncomparable milk of admiration, ( Fitzgerald 110 ) .
The imagination portrayed in this peculiar paragraph is keen and meaningful. Gatsby realizes that if he left at this minute and ne’er fell in love with Daisy he could hold the universe and all of its admirations. Fitzgerald is seeking to convey how full and successful Gatsby ‘s life could be without Daisy even though Gatsby is blind to the idea of life without her. The symbolism in this paragraph besides helps portray how Gatsby could hold anything he wanted but merely if he was entirely.
Fitzgerald brightly allows his artistic qualities shine through his novel The Great Gatsby. He easy shows the emotions and despair in his characters. He allows the readers to experience about as if they were in the book and populating the unfortunate life of Jay Gatz. Fitzgerald ‘s utilizations of word picture, imagination and symbolism are unmatched still today.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 1925. Print.