Our position of scenes, struggles, and subjects of narratives depend on how the narrative is narrated. An effectual point of position helps us to see the significance of the existent authorship. In Charlotte Perkins Gilman ‘s short narrative, “ The Yellow Wallpaper, ” the undependable storyteller speaks to us in first individual point of position, which helps us to understand her experience as she slips into lunacy. The first individual narrative in Gilman ‘s narrative besides helps us to go cognizant of the symbolism in the narratives major subject of entrapment. After reading “ The Yellow Wallpaper, ” one should reason that the wallpaper itself symbolizes female imprisonment in the 19th century.
We learn that the storyteller of this narrative is most likely agony from postpartum depression after she gives birth to her babe. We can reason that she is an undependable storyteller after reading the narrative. At first, it seems as if the storyteller is dependable and that her status will better. The storyteller states, “ If a doctor of high standing, and one ‘s ain hubby, assures friends and relatives that there is truly nil the affair with one but impermanent nervous depression — a little hysterical inclination — what is one to make? My brother is besides a doctor, and besides of high standing, and he says the same thing ” ( 721 ) . Her mental province easy begins to decline throughout the remainder of the narrative. We learn that she is non even allowed to be with her babe any longer because he makes her excessively dying. She begins to pass the bulk of her clip remaining in her upstairs room and starring at the wallpaper. We know the storyteller loses her saneness when she states, “ Life is really much more exciting now than it used to be. You see I have something more to anticipate, to look frontward to, to watch. I truly do eat better, and am more quiet than I was ” ( 728 ) . The storyteller thought she was get downing to acquire better ; on the other manus, her household began to detect unusual things happening in the upstairs room. The nameless storyteller has a immense consequence on the narrative because if it would hold been told by her households ‘ point of position, it would differ greatly.
In the beginning of “ The Yellow Wallpaper, ” the anon. storyteller merely desired to be free. She wanted to make things such as visit her household members and compose every bit much as she pleased ; nevertheless, she was no longer allowed to make any of these things. She was fundamentally trapped inside of the holiday place and had to follow her households ‘ orders, similar to adult females of earlier clip periods. The place itself was secluded from the remainder of society. The storyteller explained in the narrative, “ The most beautiful topographic point! It is rather entirely, standing good back from the route, rather three stat mis from the small town. It makes me believe of English topographic points that you read about, for there are hedges and walls and Gatess that lock, and tonss of separate small houses for the nurserymans and people ” ( 721 ) . Her household assumed she would acquire better quicker if they kept her off from everything and everyone else. After adequate clip passes the storyteller asks her hubby, John, several times if they can go forth the holiday place, but John ever lets her down by declining to go forth merely yet. The nameless storyteller provinces, “ Dear John! He loves me really in a heartfelt way, and hatreds to hold me ill. I tried to hold a existent earnest sensible talk with him the other twenty-four hours, and state him how I wish he would allow me travel and do a visit to Cousin Henry and Julia. But he said I was n’t able to travel, nor able to stand it after I got at that place: and I did non do out a really good instance for myself, for I was shouting before I had finished ” ( 725 ) . All she had left to make was stay in the room and hope to be able to acquire out shortly.
The nameless storyteller shortly begins to believe that she is non the lone one feeling trapped within the house. She states, “ Sometimes I think there are a great many adult females behind, and sometimes merely one, and she crawls around fast, and her creep shingles it all over. Then in the really bright musca volitanss she keeps still, and in the really fly-by-night musca volitanss she merely takes clasp of the bars and agitate them difficult. And she is all the clip seeking to mount through. But cipher could mount through that pattern-it equine distempers so: I think that is why it has so many caputs ” ( 729 ) . Before she realizes that the adult female she thinks she sees is really herself, she believes that the adult female is trapped behind the wallpaper seeking urgently to acquire out. She felt a sense of comfort thought that she was no longer the lone one trapped inside of the house. She besides states, “ That was clever, for truly I was n’t entirely a spot! Equally shortly as it was moonlight and that hapless thing began to creep and agitate the form, I got up and ran to assist her ” ( 730 ) . The storyteller did non experience lonely at all any longer. She felt as though she and the figure behind the wallpaper had something in common, which was the feeling of entrapment.
One may object that the existent wallpaper and the storyteller did non typify the entrapment of females in the 19th century. It is frequently supposed that adult females in that clip period were to remain in their places to care for their kids, maintain a clean house, and prepare repasts, but the nameless storyteller in Gilman ‘s narrative did none of these undertakings. She did non be given to her new born babe and was non allowed to maintain the house up. One could easy believe that the storyteller was merely in a terrible province of depression and did non associate to earlier functions of adult females in any manner. What this statement overlooks is the storyteller ‘s strong feeling of being trapped in her ain impermanent holiday place after she falls ill. This position seems converting at first, but it does non admit that the storyteller was imprisoned and had similar functions as females did in earlier civilisation before the birth of her kid. This place besides does non back up the fact that the anon. storyteller is secluded from the out-of-door society and forced to remain place while her hubby comes and goes as he pleases, which is similar to female imprisonment in the 19th century and the entrapment involved with the wallpaper.
Because this short narrative was told in first individual point of position, we were able to better understand the storyteller ‘s feelings of entrapment. The first individual narrative had a immense impact on Gilman ‘s narrative. If it were told from a different point of position, we as readers would hold most likely had a dissimilar perceptual experience of the narrative and its subject. After reading “ The Yellow Wallpaper, ” one should easy acknowledge from the inside informations of the wallpaper that it symbolizes female imprisonment in the 19th century. The storyteller ‘s feelings of being trapped inside the place and the entrapment of the adult female she thought she saw behind the wallpaper both relate to the captive adult females from earlier clip periods. They were all basically trapped against their will while they shared the simple desire to be free.
Gilman, Charlotte Perkins. “ The Yellow Wallpaper. ” Researching Literature: Writing and Arguing about Fiction, Poetry, Drama, and the Essay. Ed. Frank Madden. 4th erectile dysfunction. New York: Pearson Longman, 2009. 720-732.