Antigone and Oedipus The King. written by Sophocles. are profoundly tragic dramas with a dramatic stoping. In both dramas. destiny arises the inquiry: could hold Creon. Oedipus. Antigone. and the remainder of the household. prevented the bad lucks. which fell upon them? Or were their lives cursed upon by finding? With every event that took topographic point. the possibility of another happening was either higher or lower. One can see that every action brings upon an dry result. Besides. the deathly defect of hubris can be recognized. though each character expressed it for different grounds. Antigone and Oedipus The King every bit display the dramatic genre of a calamity by uniting. among all things. pride. decease and penalty.
The willingness to disregard the truth. Brought forth the first mark of catastrophe towards Oedipus’ household. When Laius and Jocasta were told by the prognostication that their ain boy would be the cause of catastrophe in their lives. both tried to get away their foreordained lives. The tragic sarcasm emphasizes merely how urgently Laius and Jocasta do non desire to talk the obvious truth. Both their actions begin a tragic form for the remainder of Oedipus The King and Antigone. With each event that occurs. another follows based on the actions of the character. In Oedipus. Oedipus thought that by traveling off from his “mother” and “father” . his opportunities of killing his male parent and get marrieding his female parent would diminish. Alternatively. they increased. In Antigone. one can see this form every bit good. By Creon declining to bury Polynices. Antigone. compelled by her pride. goes against Creon’s edict and buries her brother. This form arises from each individual seeking to dispute the others authorization.
Many black things happen to the people in both dramas. Death being one of them. About every character is killed in some manner or another. Murder and self-destruction falls upon Oedipus’ household. Death arises from the fatal flaw…hubris. which the chief supporters of both dramas possess. Oedipus. being the root of all catastrophe. is the most chesty of all. Without cognizing that he was the perpetrator of his father’s decease. he condemns the liquidator to destroy. With this. the reader can see how Sophocles uses dramatic sarcasm. by utilizing verbal sarcasm. In Antigone. Antigone possesses the same defect. except her pride is in the name of moral righteousness. When she goes against Creon’s edict. she wanted Creon to cognize that she is non afraid of him. Again. one can see dramatic sarcasm arise. Antigone is condemned to decease for her actions. Creon excessively carries with him this fatal defect. All of Creon’s actions. from his edict to the decease of Antigone. are chesty. Creon new authorization transformed him into an overly proud individual. Alternatively of decease. Creon must populate with the cognition that he destroyed his immediate household. due to his pride.
In both dramas. one can see how in the terminal. the adversaries recognize the injury they have caused. and make up one’s mind to shack in hurting and torment. Oedipus. after teasing Teiresias about being sightless. blinds himself. All along. Oedipus was the one without the ability to see things as they truly were. Creon recognizes his defects and in making so. he reaches a greater degree of understanding. Creon suffers because he defied the God’s. by publishing his edict. Antigone ne’er reaches a degree of understanding between her pride and love. Simply because her pride was non the cause of any immoral events. Although. Antigone does uncover the character defect which Creon possessed. She brought out his insecurities and failings. by proving his authorization when she went against his edict.
The tragic dramas Oedipus The King and Antigone. both integrated destiny to show how each action made by the characters brings away black results. Every event was connected to a characters action. I. e. : When Oedipus’s parents gave in off. they increased the opportunities Oedipus would transport out his foreordained life. Which was to slay his male parent and get married his female parent. Sophocles’ usage of dramatic sarcasm. a cliff-hanging outlook. he implies that catastrophe will get the better of the metropolis of Thebes. This sarcasm is relentless throughout Oedipus. because from the get downing the reader knows what Oedipus does non. that he is boy of Laius and Jocasta. Etc… Hubris. the deathly defect that lead Oedipus. Antigone and Creon to their ruin. steered them to move in outrageously.
One case is when Oedipus. when looking for the liquidator of his male parent. He disagreed with the prognostication. Antigone. when she attempted to bury her brother. and Creon whom by his really ain edict. is brought to his ruin. Irony is included in about every facet of the dramas. The long addresss that Oedipus makes. Antigones sentence to decease in a cave. and Creon’s full being. Both Oedipus The King and Antigone. I believe are the most tragic dramas of all clip. Sophocles creates certain effects that imply ahead. the degree of calamity and play. by linking. among all things. haughtiness. decease and penalty.