The narrative is told by an all-knowing storyteller who unfolds his narration with consummate accomplishment and a portentousness that vacillates between grim. about scriptural. wisdom and barbarous sarcasm.
The narrative clears with the averment that the vanishing of the kid “was an event so cataclysmal that it everlastingly divided clip into the so and the now” and returns to detail the events that instantly preceded the child’s disappearing and the actions of the physician. his married woman. the governments. and the paperhanger after the kid vanishes. ( 72 ) . In the first pages. the doctor’s married woman wrangles with the paperhanger on the edifice site of a sign of the zodiac being built for her and her hubby.
The kid. Zeineb. is innocently playing with the paperhanger’s long flaxen hair as the female parent assails him for his cheapjack work and for soaking her. The paperhanger’s insolent and sexually provocative response enrages the doctor’s married woman. and she verbally abuses him. commotion on her heels. and marches out of the house to her Ag Mercedes. When she calls for her girl to fall in her. there is no response. She goes back into the house and demands to cognize where her girl is. No 1 knows ; but led by the paperhanger. the workers search the house and all of the forests behind the house.
In William Gay’s narrative. the people easy start to melt off. Gay first starts with the girl of the physician and the doctor’s married woman. Zeineb. as she vanishes in wide daytime. Deeper into the narrative the physician starts to disintegrate. The doctor’s pattern fell into ruin. and he packed things of importance and others at random into the Lexus and left in the center of the dark. The married woman ne’er hears from him once more. He’s gone.
Next the female parent and the paperhanger start to allow travel of themselves. The female parent says. “I drink to bury but it is non plenty. ” ( 86 ) . The female parent besides lets herself travel after the paperhanger tells her how he killed his married woman so dug up a grave and placed the organic structure underneath the casket and placed everything back. but she still scooped down to his degree and had sex with him. “How far you’ve come. the paperhanger said in admiration. I believe you’re about down to my degree now. don’t you? ” ( 90 ) .
Besides. the paperhanger lets himself travel by non shaving and imbibing. He has changed a batch. His hair seemed to be “cut in the dark or by a unsighted Barber and his cheeks were covered with a soft and curly face fungus. ” ( 84 ) .
William Gay uses the component of spiritual imagination to catch the reader’s attending. When the paperhanger is depicting how he had killed the small miss he states. “His manus snaked out like a snake and closed on her pharynx and snapped her cervix before he could name it back. ” ( 91 ) . When one thinks of a serpent 1 might thing of the Satan or Satan from the Bible. When Adam and Eve were in the garden they were approached by Satan who was disguised as a serpent. As we all know serpents are known for being really ill-famed.
Another spiritual imagination seen in this short narrative is miracles. The married woman says to the paperhanger. “I have prayed for a miracle but I am non worthy of one. I have prayed for her to come from the dead. so merely to happen her organic structure. That would be a miracle to me. ” ( 86 ) . As Jesus performed miracles like raising the dead dorsum to life so she prays for that. excessively. At this point in the narrative all she wants is to cognize what happened to her kid. She longs for closing. Just to happen a organic structure would be plenty for her.
The paperhanger goes and gets the miss out of the deep-freeze and places her in the weaponries of the kiping female parent. as if he can bring forth a miracle for the female parent of holding the child’s organic structure. “Discussing the vagaries of life and chew overing deep into the dark non merely the possibility but the inevitableness of miracles. ” ( 92 ) .