The narrative of an hr is a authoritative illustration of literary fiction that uses symbolism and subjects to state the narrative. In the first sentence. Kate Chopin introduces the chief character Louise Mallard as holding bosom problem. Louise’s sister and friend came to state the upseting intelligence that her hubby died in a train wreck. They take great attention to relay the intelligence gently. so as non to upset her bosom status. Chopin does non travel into item about the bosom problem. go forthing the reader to believe what they will. The bosom problem mentioned in the first line is symbolic and has dual significance. It refers to non merely the existent physical status of her bosom. but besides to the hurting she feels being trapped in a matrimony. It was non uncommon in Chopin’s clip that married adult females felt oppressed by their husband’s power and societal position. ( Shmoop Editorial Team )
After hearing of her husband’s decease. Mrs. Mallard began shouting at one time. so retreats to her room by herself to be left entirely with her ideas. While she is sitting at that place. gazing out an unfastened window. her ideas take over and she begins to experience something that she is seeking to quash. because she knows society would non let her these feelings. What she feels is an utmost demand and impulse for her freedom and independency. which she would now hold because her hubby is gone. The symbolism here is that of the unfastened window. Chopin uses the word “open” to depict several things in this scene. “The unfastened window from which Louise gazes for much of the narrative represents the freedom and chances that await her after her hubby has died. ” ( Grade Saver )
The flood tide of the narrative takes topographic point when Louise eventually lets travel of any ideas that are keeping her dorsum and as she begins to experience this “freedom” she exclaims. “Free! Body and soul free! ” ( Booth and Mays. 354 ) Once she is elated by her newfound ideas. she realizes that her sister has been at the door imploring her to open it. for fright that she is doing herself ill. She replies. “’Go off. I am non doing myself ill. ’ No. she was imbibing in the really elixir of life through that unfastened window. ” ( Booth and Mays. 354 ) She opens the door and descends down the steps with her sister and as she reaches the underside. person is opening the forepart door with a key.
This is where the narrative takes a dramatic bend of events which leads to a distorted stoping. The door opens and her hubby walks in. with no cognition that there even was an accident. At the sight of her hubby. Louise dies all of a sudden. The physician determines that she died of bosom disease brought on by the joy of seeing her hubby. This is true. but besides dry. because “it had been the loss of joy that had really killed her” ( Shmoop Editorial Team ) . the loss of her independency. The obvious turn in the terminal is that her hubby would be the 1 who is released from the subjugation of matrimony.